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| [Wednesday, January 30, 2008 at 6:55 am] |
http://www.bookslut.com/blog/archives/2008_01.php#012352 Has there ever before been a fictional character like Fatima? At the age of 12 she flies a kite, reads Pnin, menstruates, and bears witness to the murder of her parents by the Taliban. Soon after she is sent to live with American Christians, and spends a fragile adolescence acclimatizing to the poisonous indifference and callousness of the West before attending an Ivy-league college where she majors in economics and sleeps with a professor (an adjunct but still). We thrill as she casts off her grim past to join a Wall Street investment firm, finds love, and indulges in fine sweaters. |
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| [Wednesday, January 30, 2008 at 6:01 am] |
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| [Wednesday, January 30, 2008 at 5:30 am] |
http://www.bookslut.com/blog/archives/2008_01.php#012349 An editor at Self decided that whole enlightenment thing that Eat Pray Love's Elizabeth Gilbert found sounded so good she too would wander the world for a year. And seriously, so unfair, god did not reveal himself to her. Nor did a publishing company finance her trip. Moe at Jezebel compares the travel experiences.
Holly says she got the idea to travel the world while reading a "galley" of the book -- she's a women's magazine writer, natch! -- and was struck by a scene in the beginning where Elizabeth Gilbert cries in the bathroom and thinks about killing herself. Holly likens that scene to a scene in her own life wherein she crosses the Williamsburg Bridge and gets weepy. There are a few crucial differences between Holly and Liz Gilbert's stories, however: namely, Holly is a 26-year-old unmarried magazine editor who lives in Brooklyn, and Lizzie is a 35-year-old writer who lives in the middle of nowhere in a loveless marriage. Also, Liz has a knife in her hand with which she intends to cut herself; I don't think it's even possible to jump off the Williamsburg Bridge -- and you'd probably totally live anyway. |
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| [Wednesday, January 30, 2008 at 5:53 am] |
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| [Wednesday, January 30, 2008 at 5:25 am] |
http://www.bookslut.com/blog/archives/2008_01.php#012348 Random thought while perusing publishing catalogs:
If you already wrote a memoir about having obsessive compulsive disorder a few years back, are you allowed to publish a new memoir about your hypochondria? Perhaps there should be a memoir commission that makes these decisions. "Sorry, this negates your last memoir, so you're going to have to tell us how bad your mother was to you instead." |
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| [Tuesday, January 29, 2008 at 6:20 am] |
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| [Tuesday, January 29, 2008 at 6:17 am] |
http://www.bookslut.com/blog/archives/2008_01.php#012340 Sticky Pages
“I did not mean to sodomize Dick Cheney.” -- from “Li’l Dickens” by Jerry Stahl.
It’s a quickie today at Sticky Pages. We’ll examine “Li’L Dickens” by Jerry Stahl, in the collection, Sex for America, edited by Stephen Elliot.
Page three people.
It appears that Jerry Stahl felt the Bush Administration has rarely given the good people of the United States a reach-around. He chooses to work this frustration out in prose. Told from the point of view of a gun lover who bumps into Cheney in Wyoming at a gun shop, “Li’l Dickens” is the fictional tale of the encounter that follows.
The narrator is slowly drawn in to the power and intrigue that is the vice president. “I couldn’t help but stare at his tufted belly roll, his hairless chest, and -- be still my heart -- his pacemaker. Yes and yes again!”
Cheney undresses: “Big-girl panties!”
And then he offers the narrator some “high-grade government Kkush.” There are butt cheeks duct-taped and Cheney wants the narrator to call his member, “Bunker Buster.” Upon completion, Cheney recites part of Ginsberg’s HOWL.
It’s a moving scene. There’s a certain pathos to a man who calls the girls he banged in high school, Cheney-acs. Stahl’s prose is delicate and his narrator is sufficiently complex. He tears up at remembering his time with Dick, and is “concerned about the nagging chafe on my scrotum.”
My only complaint is the juicy part is lost in the narrator’s marijuana stupor. I mean what does Cheney’s sex face look like? He’s got such a great normal scowl when discussing public health or the privacy of Americans. How his face must contort during the act. Come on, Stahl. Give it to us. We can handle it. Or maybe we cannot. Maybe Jerry Stahl has given us as much as we need.
Though I don’t think I’ll be donning my thigh-high fishnets and lighting some candles at the end of this story, I do think I’ll be writing in Jerry Stahl’s name for President. |
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| [Tuesday, January 29, 2008 at 6:05 am] |
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| [Tuesday, January 29, 2008 at 5:41 am] |
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| [Monday, January 28, 2008 at 7:42 pm] |
http://www.bookslut.com/blog/archives/2008_01.php#012337 Bookslut's Indie Heartthrob Interview Series
A weekly interview series where someone involved in the small press (be it writer, editor, slush slave, etc.) is thrown into the spotlight, grilled over the state of the independents and sundry other items, and quickly made to return from whence they came after having graced us all with their presence.
This week: Joshua Cohen
Joshua Cohen is a former editor for BLATT and current literary critic for The Forward. In the meantime, he has also written several books of short stories and essays and more recently his novel Cadenza for the Schneidermann Violin Concerto. His forthcoming A Heaven of Others is slated for a February release on Stacherone Books.
When did you originally become involved with BLATT?
There weren't many Americans - or English-speakers - living in Central/Eastern Europe at that time who wrote well (I mean Berlin, Germany, and east, circa 2001-2005). Those who did, or many, constellated in the pages of BLATT. Travis Jeppesen edits BLATT alone now, from Berlin, and he's turning it into quite the Empire.
And The Forward?
I began writing for The Forward five years ago, reporting from around Europe. Later, when I came back to America, I began working as a book reviewer. Then, they gave me the title "literary critic." Sounds better, same pay.
How do these experiences differ for you?
BLATT didn't pay my rent, The Forward does. I edited for BLATT, I wrote for The Forward... I'm not sure that question is answerable.
You also write your own work. Is it difficult to balance these responsibilities?
I don't "also write my own work" - I "also" pay my way by writing book reviews, or literary criticism. My own books, as they say, come first. It's difficult to balance, yes. Did you know I was born with three legs?
What would you say is your biggest influence regarding your writing/editing work?
I never was enough of an editor to know or care about big influences in that world. And I don't like being edited myself. As for writing - writing what? I like Borges' "journalism," his essays, prolegomena and lectures. Fiction, I can't say. Borges once quoted somebody who said something to the effect of lists serving only to stress what they omit. |
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| [Monday, January 28, 2008 at 8:31 am] |
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| [Monday, January 28, 2008 at 8:25 am] |
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| [Monday, January 28, 2008 at 7:37 am] |
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| [Monday, January 28, 2008 at 7:43 am] |
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| [Monday, January 28, 2008 at 7:10 am] |
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